New Mexico Folk Music & Dance Society

FolkMADS Calendar and Notes

November - December 2006 Volume 9, Issue 6

P.O. Box 40421, Albuquerque, New Mexico 87196-0421

The FolkMADS Calendar and Notes are published bimonthly by the
New Mexico Folk Music and Dance Society, a nonprofit organization.

FolkMADS sponsors Albuquerque, Santa Fe, and Taos contra dances, concerts, camps, and other special events. "Contra" dances include contras, squares, mixers, and couple dances. Unless noted on the calendar, admission is $6 for members, $7 for nonmembers. You need not come with a partner. Free instruction for beginners starts at 7:30 p.m. Dances begin at 8 p.m. and are smoke-free and alcohol-free. Children and teens are encouraged to participate if supervised by an adult.

Albuquerque Dances: 1st and 3rd Saturday contra dances, 7:30-10.30 p.m., $6/$7. 2nd Sunday Elegant English and Zesty Contra Dance, 7:00-9:30 p.m., $6/$7. Locations as noted on calendar.

Santa Fe Dances: 2nd and 4th Saturday contra dances and some 5th Saturday English Country dances, 8:00-11:00 p.m. Odd Fellows Hall, 1125 Cerrillos Road (south of Cordova Drive on the western side of Cerrillos).

Taos Dances: 3rd Saturdays, call for details, 776-1580.

ABQ Megaband: Albuquerque Megaband practice is held at the Blue Dragon Coffee House, 1517 Girard NE, Albuquerque, the Tuesday before the 3rd Saturday dance. All acoustic musicians are welcome. Bruce Thomson, 268-6003, or email Jane Phillips for more info or to be added to the listserv.

Santa Fe Jam Sessions: Santa Fe Community Band practice at the ODD Fellows Hall on ODD (1st and 3rd) Wednesdays at 7 p.m. (contact Gary Papenhagen, 242-1104). Slow jam on the 2nd Thursday at 7 p.m. at Katherine Bueler & Gary Schiffmiller's house (995-1125). Beginning and experienced musicians all welcome!

Acoustic Jam: 6:30 p.m. before the Albuquerque dances. All acoustic musicians are welcome and all types of music are played. Call Jay Cutts for more information, 281-0684.

 


2006 Officers/Directors
Ongoing Events


Musician Appreciation by Dancers (MAD) Ideas for FolkMADS Dancers’ Consideration

by Merri Rudd


A very long time ago, a musician told me, "You are one of the few who think the musicians are important. You appreciate us."

"Important?!" I exclaimed, "It is because of you that dance is possible."

As a caller, I have spent a lot of time attending band practices and on stage, thinking about the role musicians have in driving the dance. The music energizes, inspires, and wallops the dancers’ senses, inciting movement, excitement and, with a little luck, magic.

In the early days of FolkMADS dances, the Megaband always provided the music. In 1990 the organization began to pay bands, but those fees don’t amount to much. The reason you see band members on the stage is because they love the music and playing for lively dancers. The best reward for a dance musician is seeing, hearing, and feeling the dancers' excitement, so don’t hold back.

Albuquerque and Santa Fe Megaband musicians have played for dances for more than 20 years free of charge. Their donation of services has allowed FolkMADS to save thousands of dollars to buy complete sound systems for both communities, host special events, and cover losses when some dances have low attendance. So, as dancers, how can we express our appreciation for the rowdy dance music so willingly provided by the bands? How about:

  1. Clap enthusiastically after each tune. Seasoned bands deserve your praise; newer bands need your encouragement.
  2. LOOK at the musicians on stage. When you progress to the top of the dance line and stand out for 32 seconds until you become active, take this opportunity to admire the musicians on stage. Note which instruments they’re playing. Without distracting them too much, smile or tap your foot or clog or do whatever else will show you appreciate their rhythms and tunes.
  3. If a particular tune revs you up, whoop and shout from the dance floor. Bands love the synergy that comes from knowing their tune fit a particular dance so well that the dancers couldn’t help but holler.
  4. Bring the musicians homemade treats to help fuel them throughout the evening (no sticky buns or other items that will mess up their strings or fingers). You try maintaining a consistent energy and strong dance tempo for 3 hours without refreshment; they need fuel just like other fine machines.
  5. If refreshments are served at a dance, let the musicians have first dibs. They’ve earned the right to ‘eat first.’ Plus, they must be back on stage in just a few minutes.
  6. If you see musicians milling about during the break, don’t be timid. Go up to them and thank them for their time and music. If you have especially enjoyed their tunes, let them know! Most musicians don’t bite and are flattered to hear from you.
  7. Sometimes less-experienced or shy or quiet Megabanders find themselves in uncomfortable lead musician roles due to competing commitments of other musicians. They may be the only fiddler or guitarist for the first time in their lives with the great responsibility of leading the melody or rhythm for the entire dance. These musicians especially need you. If you observe a new musician face, a fearful face, or a face with visual cues that signal a need for help, give them extra support, encouragement, and appreciation at the end of each tune. (Do this for new dancers too!)
  8. Whatever you do to express appreciation, do NOT rush onto the stage. We old-timers will always remember when a caller suggested someone might kiss the fiddler in the middle of a square dance and broke the fiddler’s bow in the process. Respect the musicians’ instruments and space.
  9. Some bands have CDs; shell out the $15 to support these artists. Yes, they almost all have day jobs. But their music is a labor of love; they deserve your support.
  10. At the end of the night, gather at the edge of the stage and clap prolongedly and fervently. Our dances are homemade fun and we should always remember how special that is. You'd surely thank your grandma for that great homemade pie; don't forget to thank your local musicians for those great homemade tunes! Remember, it is because of these musicians that dancing is possible.

Email me at abogada AT aol DOT com with other ideas about how to express appreciation for our musicians, and we’ll include them in a future issue. Thanks to Albuquerque musician Jane Phillips and Santa Fe musician Will McDonald for helping me with this article.
© 2006 Merri Rudd, All Rights Reserved

 


 

Tamara and Jamie Are Visiting New Mexico Again

FIDDLE 'N' FEET from Bloomington Indiana perform and teach traditional music and dance from North America and the Celtic countries. Some folks would describe that as the music and dance of America's pioneers. But for us, it's so much more! Our music and songs range from Irish to Old Time to French Canadian. In performance, we showcase a variety of stepdance styles, from American clogging to English wooden shoe clogging to French Canadian reels and waltzes. While some of our material dates back to the 1800s, much of it is composed or choreographed in the last decade! Rhythm is an important component of our work, whether drumming with feet or with our hands against our bodies. Most of all, we find joy in musical expression and strive to give relevance to these traditions in today's world!

Tamara Loewenthal has been performing and teaching various styles of American and Celtic step dance for over 20 years. Growing up in the Appalachian foothills of southwestern Pennsylvania, Tamara fell in love with clogging as a young adult and has been flatfooting ever since. A founding member of the nationally acclaimed dance company Rhythm in Shoes, she has toured across the United States, Canada, Great Britain, and Japan. She has won awards for her clogging, including a blue ribbon at the Mt. Airy, NC, Fiddler's Convention. Tamara is also an accomplished French Canadian step dancer and, in 1999, received a prestigious Arts Council of Indianapolis Creative Renewal Fellowship to study with masters in this field. Tamara is much in demand for her work with children of all ages and works extensively with Young Audiences of Indiana, the Ohio Arts Council's Arts Learning program, and the Kentucky Arts Council. She has produced a CD and booklet, Dance Together Children!, of long-playing dance tunes and play party games. She regularly calls square and contra dances for groups around the country and teaches step dance classes in Bloomington, and workshops wherever she goes. Tamara is also a 2003 and 2005 recipient of an Individual Artist Grant from the Indiana Arts Commission. Her most recent passion is Old Time fiddling, which she pursues with various bands around Bloomington.

Jamie Gans came to Indiana from St. Paul, Minnesota, where he had established himself as one of the foremost fiddlers in the Northern Midwest. Adept at a variety of fiddle styles, Jamie has performed with some of the great players in Irish, Canadian, and Old Time music. In the 1980s, as a Canadian resident, he was a founding member of the Ontario-based group, Six Mile Bridge. The late, great Leo Browne, of Ottawa, was his fiddling mentor and introduced Jamie to the music of eastern Canada and Leo's native Irish County, Tyrone. Jamie worked for five years as a historical interpreter for the Minnesota Historical Society. In 1993, he was named a Master Artist by the Minnesota State Arts Board and Historical Society for the Folk Arts Apprenticeship program. In 1995, Jamie joined forces with Tamara, exploring traditional music, song, and dance in depth. His love of history, combined with his soulful playing, bring the music alive in every setting. Jamie has fiddled for the legendary Northern Star Ceili Band, Milltown nGael, the nationally acclaimed Rhythm in Shoes and has performed throughout Europe and North America. He has at least four recordings to his credit and another project in the works. Jamie was named a 2001 Arts Council of Indianapolis Fellow!

Here is a schedule of their activities while in New Mexico:

December 1, Friday - Las Cruces Contra Dance
December 2, Saturday - Albuquerque FolkMADS dance (Heights Community Center), 7:30 p.m.
December 5, Tuesday - Performance on KUNM's Home of Happy Feet radio show, 8:00 p.m.
December 7, Thursday - House Concert, 7:30 p.m. (Taylor/Thomson residence)
December 9, Saturday - Santa Fe fiddle & stepdance workshops, 3:00 - 6:00 p.m.
December 9, Saturday - Santa Fe FolkMADS dance (Odd Fellows Hall), 7:30 p.m.

Jamie & Tamara have been to NM many times and are very popular with the music and dance folks here.
Please join them for their dances, workshops, and concert.

For information contact Bruce Thomson.



FolkMADS Elections

Saturday, November 18, 2006
During the Albuquerque Dance, the Annual General Membership Meeting and Election of the Board of Directors will be held. This is your chance to have a say about how FolkMADS is run, so plan to be there, volunteer to serve, and cast your vote!
Serving on our board provides an opportunity to meet and work with fellow dancers, musicians, and singers. New skills can be learned and old skills can be rejuvenated. Our goal is to recognize all of the talents that members bring to the organization. We especially need volunteers to help with publicity and event booking.
Frequently Asked Election Questions:


Why does FolkMADS do this every November and muck up a good dance?
FolkMADS is a non-profit corporation registered with the state of NM and the IRS. This means that we do not pay sales tax for purchases and those contributions to FolkMADS (other than membership dues) are tax deductible. It also means that we have formal bylaws, hold an annual meeting of the membership, and elect a Board of Directors from whom corporate officers are chosen. As part of our bylaws we have chosen to have the meeting and election at the 3rd Saturday dance in November in Albuquerque.

So what happens at this meeting and election?

Near the check-in table will be an easel with a sign up sheet for the elections. Anyone who wishes to "stand for the Board" can put their name on the sign up sheet. There are 11 slots on the Board but as many people as want to can sign up. Around 9:15 sign ups for the Board will be closed and the General Meeting will be called. The current FolkMADS president will briefly review "the status of FolkMADS" and answer any questions from the floor. Then we will look at the total number of sign ups for Board membership. If fewer than 11 have signed up, they are automatically elected to the Board of Directors. If the number is more than 11, there will be a runoff election.

What if I want to be on the Board and can't attend the dance?

If you want to stand for the Board but will be unable to attend the dance, you must submit your name to the FolkMADS Secretary, no later than Friday, November 17th. The current Secretary is Linda Askew and her number is (505) 266-2881 in Albuquerque, or e-mail her at secretary@folkmads.org. There can be no absentee nominations at the dance itself.

This sounds like a lot of trouble, why should I care about any of this?

The Board controls everything that FolkMADS spends money on during the year. This includes scheduling bands and callers, how much these bands and callers get paid, booking special concerts, running the annual FolkMADS Dance Camps, and a host of other things.


Please consider serving on our board or at least give us your support by voting at the annual meeting.

If you would like to help the organization but don’t want to serve on the board, there are many other volunteer opportunities available, including newsletter preparation, newsletter mailing, scheduling, general publicity, etc. If you want to help (in a large or small way), let the board know! (board AT folkmads DOT org)


Have you moved?
Changed phone numbers? Changed your e-mail address?
Keep FolkMADS up to date so you'll continue to receive the newsletter and we can contact you.
Contact
Ken Shaw with your current info.

 



MegaBand Tune of the Month: Guitar Backup
Bruce Thomson

 

I’ve been listening to backup musicians again. In the old days when dinosaurs roamed the face of the earth and old time music wasn’t old, guitar accompaniment consisted mostly of whanging away on chords. Guitarists would play chords in first position and use a straightforward boom-chuck rhythm consisting of a single bass note on the 1 and 3 beats and a chord strum on the 2 and 4 counts. Nothing wrong with that, and it’s effective for dance music where there’s a need to keep a strong beat. But some of the current old time musicians are finding pretty creative ways of backing tunes that make even the simplest tunes more interesting.
Four of the techniques that I find especially effective are:

  1. Use alternate chord fingerings. Every guitarist should know at least 3 alternate fingerings for common chords, such as closed form chords as well as 3 and 4 note chords. Use ‘em, including those up the neck.
  2. Vary the strum pattern Learn the patterns from western swing sock-style backup or those used in celtic music. It takes some experience to learn when alternate strum patterns are appropriate, but when it works, the effect on the tune is great.
  3. Try alternate tunings. Drop-D or DADGAD tunings often work well with A modal tunes or tunes dominated by D chords. Or try putting the capo on the 5 highest strings, leaving the bottom E string to resonate.
  4. If you’re really adventurous, consider an alternate rhythm. For example emphasize the 2 and 4 beats instead of 1 and 3. Or use a syncopated backup. It’s easiest to experiment with this if you’re playing with a bass player. Warning: The rest of the band has to be good enough musicians not to get discombobulated by the backup. Elliott Rogers of the Adobe Brothers does this occasionally and it is so interesting that the rest of the band nearly stops playing just to hear what’s going on.

There are many other ideas that can add to the music and also make it more challenging and fun to play backup guitar. But whatever you do, KEEP THE TEMPO. The worst thing backup musicians can do to a band is let the tempo wander.

One of the most creative backup musicians around (also a great tenor banjo & mandolin player as well as a bizarre artist) is Sam Bartlett. Listen to his work on “Belting You With Reels” with fiddlist Sue Sternberg. He uses all of the techniques described above and more. Especially notable is his guitar & mandolin backup of “The Baker” where I think he uses a calypso rhythm. Wow! One of my favorite tunes on this CD is “Bridgewater Boys.” It begs for the guitar to be in drop-D or DADGAD tuning.

ABC Notation
X:34
T:Bridgewater Boys
M:C
L:1/8
C:Ernie Benoit
N:From Belting You With Reels
N:Sue Sternberg & Sam Bartlett, Stuntology 003
N:Transcribed by Bruce Thomson
K:G
|:"D"Adcd Adcd|Adcd fdcd|Adcd Adcd|"G"BGAB cBAG|
"D"Adcd Adcd|Adcd fdef|gfe^c d=cAB|cBAG "C"c4:|
|:"D"AGFG AcAG|FDCD FDCD|AGFG ABcA|dcAF"G"G4|
"D"AGFG AcAG |FDCD FDCD|AGFG AdcA|GFDC "G"D4:|

musical score for Bridgewater Boys

 

 

Archive of featured ABC tunes can be found here.


FolkMADS thanks The Blue Dragon Coffeehouse, 1517 Girard NE, Albuquerque, for generously hosting the Albuquerque Megaband practices (on the Tuesday before the 3rd Saturday dances).

For more information about Megaband, contact Bruce Thomson: 277-4729, or
Jane Phillips: 898-2565.
Email Jane to be added to the Megaband listserv (automatic e-mail reminders).


The Albuquerque Megaband plays for free each month at the 3rd Saturday dances in ABQ, helping to keep FolkMADS going.

A big thank you to all the Megaband musicians!!


Other Events

 

Silver Heels Community Dance
Saturday, November 11, 7:30-10:00

U.U. Fellowship Hall, 3845 N. Swan, Silver City, N.M. Music by The Silver Heels Community Dance Band and special guests Fiddling Friends. Admission by donation. All dances will be taught; no partner necessary, and there will be refreshments. The Silver Heels Community Dance band is made up of some of the Fiddling Friends parents and the older Fiddling Friends/Fiddle Club and a few other people who want to play dance music. They have been practicing together for almost a year and can really play music that makes you want to dance. They are being coached by Bayou Seco's Ken Keppeler and Jeanie McLerie. There are several fiddles, guitars, piano, a drum, and more.
January 6, 2007 - the annual Twelfth night dance with Bayou Seco and friends. Same location and time.


Contra Dance and Humanitarian Fund Raiser
Saturday, November 18th, Los Alamos

Unitarian Church. Band: Roaring Jelly. Caller: Alan Wadlinger. Instruction at 6:30 p.m., and dancing at 7:00. Childcare provided, but children are welcome to dance as well. The door will be donated to three great causes: an orphanage in Uganda, small business seed money to help people who have AIDS in Africa keep working, and a Church that supports informal orphanages, particularly a woman in Durban who is raising 50 AIDS orphans on her own.

These humanitarian funds have been organized by Maureen Barraclaugh, a Los Alamos artist who went to Africa in the summer of 2005 as a volunteer to help families affected by AIDS. She wires funds directly to recipients in Uganda and South Africa through an account set up with Los Alamos National Bank. She has been fund raising by selling her photographic portraits of people and paintings from the trip. This is a remarkable local effort to make a difference. Maureen Barraclaugh's art will be displayed at the Contra and available for purchase. She will attend the contra and speak about her trip during the intermission. All of the money she raises goes directly, with no overhead, to those in need.

The Unitarian Church of Los Alamos
1738 North Sage Street
Los Alamos, New Mexico 87544
(505) 662-2346

General Directions:
Once you make it into Los Alamos, go along Central Avenue, turn north at the corner of 15th and Central, where the Bradbury Science Museum is located. Take the third street on your left, which is North Sage Street. The church is the second building on your right, between the Masonic Temple and the Mormon Church.

Contact Bette Korber if you need more info (she is in the Roaring Jelly Band).



Southwest Pickers Presents: Dan Levenson in Concert

Friday, December 8, 2007
7:00 pm
Covenant Presbyterian Church, 9315 Candelaria NE
$10 SWP members
$12 non-members

With the Adobe Brothers featuring

Wayne Shrubsall (aka -- Moby Adobe) -- Banjo, Guitar
Elliott Rogers (aka -- Hydrophoby Adobe) -- Guitar
Bruce Thomson (aka -- Toby Adobe) -- Fiddle, Guitar
Tim DeYoung (aka -- Obie Juan Adobe) -- Mandolin, Guitar
Janice Ryals Rogers (aka -- Sandy Lane) - Bass

Local talent to play 1st !!

For more information email:
Steve Morgan or Judy Muldawer

Website: southwestpickers.com

 

In addition to the concert, please note these events:

Old Time Fiddle and Old Time Clawhammer Workshops

Albuquerque, New Mexico
December 9th -- private lessons on fiddle and banjo
December 10th -- group clawhammer workshop at Apple Mountain Music
Taught by Dan Levenson, master old-time musician

Space is limited. Registration required.

Fee for ½ and/or full day workshops; contact Judy Muldawer at 505-298-5589

 


For the true gypsies:

The Clayfoot Strutters (Pete Sutherland, Jeremiah McLane, Peter Davis and Harry Aceto) are continuing to offer their winter dance camp in the mountainous rain forest of Costa Rica.
Pura Vida Dance Camp will be held February 20-27, 2007.

This is an unique experience featuring:

* adventuring during the days
* opportunities to know both the Costa Rican culture and the Cabeca indigenous people of the Chirripo region
* nightly dances featuring Contra, Swing and Zydeco with the Clayfoot Strutters followed by Salsa dancing taught by local dancers.

Please take a few moments to go to our website:
www.puravidadancecamp.com
where you will find photos and testimonials from the last 4 camps.

Click for PDF flyer with registration info, costs, etc.

Pura Vida affords time for relaxation, jamming with members of the Clayfoot Strutters and getting to know a beautiful region of Costa Rica.

"Pura Vida" is one of the national sayings of Costa Rica. When someone asks, "Como Estas? - How Are You? - they reply Pura Vida! Pure Life!

 

 

 

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